|Bedlam Express||2015*||Jeff Del Papa and Artisans Asylum|
|Bill Wainwright’s Big Wheel||1980s (var*)||John Powell and Owen Mack (and Bill Wainwright)|
|Chandelsphere||2018||Daniel B. Rosenberg|
|Dashing Grand Dame of the Andres Institute of Art||2008||Yuri Kudryavchenko|
|Digital Lifestyle: Data Mining||2018||Duken Delpév|
|Dizzy the Cat||2015*||Jeff Del Papa and Parts & Crafts|
|Happily Train I: Killer Bunneez||2018||American Family Happily Institute/Belinda Be|
|Including the Kitchen Sink!||2018||Mac Pierce|
|Gear Today, Gone Tomorrow||2018||Mike Dawson & Somerville Youth|
|PotemkinBuran.io||2018||Drew, Rowan, and Joy Wallace|
|Red-Breasted Sunbather||1980s*||John Weidman|
|Swimming Fish||2018||Schainker-Frehywot Family|
|Whitney Music Cart||2018||Philip Knodle|
More info: http://sculptureracing.org/about-the-races/
Announcing three outstanding jurors for the June 2 River Festival Race! (Entries due March 3.)
Henriette Huldisch, Director of Exhibitions and Curator at the MIT List Visual Arts Center in Cambridge
Matthew Hincman, Chair of the Fine Arts 3D Department at MassArt, and a sculptor.
John Bell, a Founder of the Honk! Festival, and the Director of the Ballard Institute and Museum of Puppetry and an Associate Professor of Dramatic Arts at the University of Connecticut, and a performer.
(see below for bios)
(click here if picture doesn’t load)
Henriette Huldisch is the Director of Exhibitions and Curator at the MIT List Visual Arts Center in Cambridge. Before starting at the List in 2014, she worked at the Hamburger Bahnhof – Museum for Contemporary Art in Berlin. From 2010-2014, Huldisch also served as Visiting Curator at Cornerhouse, Manchester and from 2004-2008, was assistant curator at the Whitney Museum of American Art, Among her publications are An Inventory of Shimmers (2017), Ellen Harvey: The Museum of Failure (2015), the 2008 Biennial Exhibition catalogue, and numerous contributions to exhibition catalogues and publications such as Artforum.
Matthew Hinçman is a sculptor and educator living in Jamaica Plain. Best known for Jamaica Pond Bench, 2006, and STILL, 2014, both in Jamaica Plain, his interventions are generally found in public places, are often easy to miss, and attempt to disrupt the order of the everyday. He is Professor of Sculpture at the Massachusetts College of Art and Design, and Chair of the Fine Arts 3D Program. He serves on the Board of the Boston-based non-profit Now+There that serves artists and the city by creating impactful public art projects that spark change, and the Haystack Mountain School of Crafts in Maine.
John Bell is the Director of the Ballard Institute and Museum of Puppetry and an Associate Professor of Dramatic Arts at the University of Connecticut. He was a member of the Bread and Puppet Theater company from 1976 to 1986; a founding member of the Brooklyn-based theater company Great Small Works; an organizer of the Honk! Festival of Activist Street Bands in Somerville; and a trombonist in the Second Line Social Aid and Pleasure Society Brass Band. His writing includes American Puppet Modernism; and Strings, Hands, Shadows: A Modern Puppet History. He edited Puppets, Masks, and Performing Objects, and co-edited The Routledge Guide to Puppetry and Material Performance.
Thank you, jurors, for volunteering your time and wisdom!
The third annual People’s Sculpture Race (PSR) at the 2017 Cambridge Arts River Festival was once again a stupendous and hilarious success for artists and engineers, art lovers and racing enthusiasts, families and flaneurs. Here’s the link to images by Andrew Held and Tye Martin.
This was our second year at the Lechmere Park site in East Cambridge. The field of 12 racing artists sped 3/4 mile along the headwaters of the Charles River down the Cambridge Parkway, then back up a sidewalk crammed with passers-by whom PSR volunteers struggled vainly to restrain.
We are very grateful to our jurors this year–MIT Museum Curator Deborah Douglas, who also handed out trophies at the awards ceremony; Leslie University College of Art and Design Dean Richard Zauft; and Kinetic Sculptors Nancy Selvage and David Lang, both members of the Boston Sculptors Gallery.
David Lang, who had planned to join the PSR team and had nurtured emerging artists and engineers for sculpture racing, passed away in November, after an oncoming car hit and rocketed a deer through his windshield. “His loving spirit kinetically left his body and passed into the hearts of those who loved him,” his daughter Amy Zapata said at the memorial service, We miss David dearly.
New This Year
There were three major innovations to the race this year.
First–instead of trophies for best speed (first, second, and third place across the finish line), trophies were given for speed (first across the finish line), most spectacular, and most ingenious. PSR Team Member Rory Beerits generously crafted brilliant trophies for the third time this year. Thank you, Rory! (Held image)
Second, The Fund for the Arts, a public art program of the New England Foundation for the Arts (NEFA), generously bestowed upon us a one-time grant for 2017’s races, which included a purse divided equally among the teams that participated in the River Festival Race. On behalf of the PSR team and all of the racers, thank you NEFA!!!
Additionally, for the first time folks who initially participated in the April Community Sculpture Race at Danehy Park participated in the River Festival Race. This met our hope that the community race would serve to recruit community members, families, and kids into the River Festival Race, and also that our workshops could bring racing tyros up to engineering speed. These two teams were the Schainker-Frehywot Family (which ended up winning the speed trophy!) and the Fornasaro Family. Workshops were held by David Lang and PSR Chief Engineer Jeff DelPapa.
The workshops and the Danehy Park race were sponsored by PSR’s partner in art the Cambridge Arts Council (CAC). The CAC granted PSR a Massachusetts Cultural Council (MCC) Local Cultural Council Arts Access grant last year. The CAC were also our gracious hosts at the River Festival. Thank you, Jason Weeks, Julie Barry, Arts Council and Cultural Council!!!
Field of Twelve Racers
|Beeline to the Finish Line||2017||Schainker-Frehywot Family|
|The Ladder Machine||2017||Natalie-Newton Pelletier|
|Sisyphus Was a Journalist||2017||Multi Gallant Enterprises|
|Biblio Burro*||2017||Scott Ruescher|
|Platonic Solid Orrey||2017||Daniel B. Rosenberg|
|Snake in the Grass*||2017 & 2015||American Family Happily Institute/Be Be|
|Planet Express 2.0*||2016||Fornasar Family|
|Sisyphus*||2015r||Harvard Physics Team/Kim Bernard|
|Who Carnio Flunx*||2015||Jeff Del Papa and Parts & Crafts|
|Dizzy the Cat*||2015||Jeff Del Papa and Parts & Crafts|
|Wheel #1||1982||Bill Wainwright|
*The work or an earlier version has raced with PSR before.
Speed Winner: Beeline to the Finish Line by the Schainker-Frehywot Family. The family worked with David Lang to engineer bee wing motion. Images: Left, Isaac weaving through the crowd; right, Elizabeth, Isaac, and Gojeb accepting trophy. (Held & Martin images, respectively)
Ingenuity Winner: Sisyphus by the Harvard Physics Team with Kim Bernard. Among many highly ingenious works this year, Sisyphus won for its wacky genius in running on square wheels. This works because the wheels roll smoothly on its catenary semi-circular tracks which racers must continually run forward after the ‘boat’ passes. This was the second time Sisyphus has appeared at a PSR race. It also raced last summer at the inaugural Rockland Sculpture Race in Rockland Maine, which Kim founded. Kinetic artist Kim Bernard is on the PSR’s advisory board. (Held image)
Spectacle: Who Carnio Flux by teens and artists from Parts and Crafts with Jeff DelPapa. The work, based on a Dr. Seuss machine, has multiple human sound-making instruments. Parts and Crafts is a Somerville maker space for kids. Jeff is PSR’s Chief Engineer. (Martin image)
Schooling by Artist Operation, a piece celebrating the power and beauty of collaboration. Another work of genius by one of the home teams! The fish miraculously wiggle driven by cams. Everyone gets lots of spinning exercise. (Held image)
The Ladder Machine by Natalie Newton-Pelletier. Natalie discovers the joys of hamster-tude. (Held image)
Sisyphus Was a Journalist, by Multi Gallant Enterprises. The sisyphean metaphor for futility is here applied to journalists, fated to doggedly fact-check the Trump administration’s every tweet. (Martin image)
BiblioBurro by Scott Ruescher and the Harvard Graduate School of Education. The work is based on Luis Soriano’s traveling library that distributes books to patrons from the backs of two donkeys, Alfa and Beto, in remote populations on Colombia’s Caribbean shore. Scott also co-read the PSR Manifesto at the event. Thank you, Scott! (Held image)
Platonic Solid Orrery by Daniel Rosenberg. An orrery is a mechanical model of the solar system that demonstrates and predicts through kinetic motion relative positions of solar bodies. In 1596, Johannes Kepler proposed that the distance relationships between the six planets known at that time could be understood in terms of the five Platonic solids. Daniel worked with David Lang on the mechanics of the Orrery. (Martin image)
Snakes in the Grass, by the American Family Happily Institute. The work “helps us remember that, just like most snakes, most people are not out to get us. They may be in our way sometimes, but they usually want to get out of our way and go about their day trying to survive, just like we do.” (Held image)
Planet Express 2.0 by the Fornasaro Family with Raquel Fornasaro. The Fornasaros worked with David Lang on a custom propulsion system for the space vehicle (bubbles). (Held image)
Dizzy the Cat, by Parts and Crafts children and artists with PSR Chief Engineer Jeff DelPapa. The kitty’s paw bats at a kinetic bird that flys around it. (Held image)
Wheel #1 by Bill Wainwright, 1924-2012. Bill was a member of the original sculpture racing group, World Sculpture Racing Society, in the 1980s. He had been an architect and retired to become a full time public artist. His Wheel #2 raced (and won first place) in PSR’s inaugural River Festival race in 2015 and was subsequently accessioned by the MIT Museum. Wheel #1 raced this year kindness of Clara Wainwright. Thank you, Clara! (Martin image)
Nicholas Herold & Em Bridgham for timing the racers and deploying the large racing flags for managing starts and finishes; David Eggers for managing load in and the site. Emmalee Todd for holding down the welcome table. Chris and Scott Kyle for transport help. Doug Hayden for garaging Wheel #1. And all of our fans and supporters unnamed.
We’ll see you all again in 2018!
Rory Beerits, Jeff DelPapa, T.T. & Dennis Svoronos, Rock Louis, Daniel Rosenberg, Scott Ruescher, Wendy Whoriskey, Andrew Held, Christian Herold
People’s Sculpture Racing Team
Arrive early–it’s hard to find the location. See logistics at this link and below.
Dennis Svoronos Design.
11 AM sharp – opening ceremony at the Sculpture Garden
11:10 or so – staggered race from the Garden down Cambridge Parkway and back the same way.
11:50 or so – awards ceremony at the Garden
12-6 – sculpture racing exhibition at the Garden
The Sculpture Garden and the Start and Finish lines are at the top (north) of Cambridge Parkway. There’s no parking there.
THREE MAPS (the first two are upside-down)
The Sculpture Garden. This above map is upside-down (east is to the left!)
Walk to the Sculpture Garden along Lechmere Canal, which runs east from Cambridgeside Galleria (the above map is also upside-down; east is to the left!)
Cambridge Parkway runs along the Charles River near the Science Center. (This map is correct.)
And where is all that? (Red marker is right next to start/finish line.)
How do you get there?
Walk easterly from the Cambridgeside Galleria past the fountain, along the Lechmere Canal, under Land Boulevard, towards the Charles River.
If you’re dropping someone off, drive in a northerly direction along Land Boulevard (the wide orange road on the map), and pull over just before or after Cambridge Parkway, which runs east/to the right off Land Boulevard (you can use “International Merchant Services” on your GPS).
- Cambridgeside Galleria Garage (100 Cambridgeside Place) –5 hours or fewer $11; more than 5 hours, daily max of $22.
- First Street Garage (Spring St at First) – 5 hours is $8; more than 10 hours is $20.
- There is metered parking to the west of the Galleria, and then, further west, resident parking.
10 Minute Walk
- Lechmere Station
- Science Park
20 Minute Walk
- Charles/MGH are 20-minute walks.
Consider giving yourself plenty of time to orient yourself and make your way to the Sculpture Garden and Cambridge Parkway. We look forward to seeing you there!
A whirring bee, a supercharged bubble-frothing rocket, The Big Dipper, the mysterious Freemason pyramid, a tremendous pig–these new (or improved) sculptures whizzed along around the Olympic soccer field at Danehy Park April 23 in the second annual Community Sculpture Race. They were joined by past champions Dizzy the Cat and Hatching in the 1/2 mile race. First place was Team Mud with The Pig. The Fornasaro Family took second place with their newly bubble-powered Planet Express 2.0, and the Schainker-Frehywot Family took third place with Beeline to the Finish Line.
Before the flag. Held image
Planet Express 2.0. Held image.
The Pig veers right, blocking Dizzy the Cat! Martin image
Beeline followed closely by Planet Express. Martin image.
Beeline. Martin image.
2016 River Festival Champion Hatching nearing the finish line. Martin image
Dizzy the Cat. Martin image
Ursa Major, Twinkle Minor leads The Dollar. Martin image.
The Dollar. Held image