2015 Contenders!

The following submissions were chosen by our panel of jurors. Each contender has an image of their prototype or poster on the Sculpture Racing Design Exhibition page. Those that participated in the demonstration race, the Circumambulation of the MIT Museum are also featured on a page. More, detailed images to come!

Contenders (Listed alpha by team or artist’s last name as originally submitted)

1.  Flock (2015), Artist Operation

2.  Mobile Happily Distribution Center (2015), Be Be

3.  Bedlam Express (2015), Jeff Del Papa/Artisan’s Asylum Team

4.   Dizzy (2015), Jeff Del Papa/Parts & Crafts Team

5.  Giant Baby Carriage (2012), Anonymous

6.  Canard (2015), Jehanne-Marie Gavarini

7.  Tsunami Wave Machine (Homage to Hokusai) (2015), Steven Hahn

8.  Sisyphus (2015), Harvard Physics Team

9.  Rolling Slit Gong (2015), Jay Havighurst

10.  BiblioBurro (2015), BurroBibliotecarios

11.  Caterwaul (2015), Everything Muffin Collective

12.  Leonardo’s Flying Machine (1999), Mitch Ryerson

13.  Two Orbits Toll Along (2015), Gianna Stewart

14.  Apoplectic Apocalyptics (2010 & 2015), William Turville

15.  Big Fish (1980s & 2015), William Turville & Musketaquid Arts & Environment Program

16.  Chariot of the Cods (2001 & 2015), William Turville

17.  No. 2 (1982), the late Bill Wainwright

 

1980s Sculpture Racing Video

“I enjoy things on wheels, because they speak of the American life” — George Greenamyer, in the video.

YouTube image below is of Arthur Ganson looking at Faster!, his first piece for the World Sculpture Racing Society.

See Multimedia section for more, including another short video of the same event.

Announcement: Artisan’s Asylum multi-week workshop starts April 12

PSR Chief Enginerr Jeff Del Papa’s Message to Artisan’s Asylum Members and to the General Public:

A feature of Cambridge River Fest in the 80’s, is returning from a long hiatus, Sculpture Racing.  Creations were pushed, pulled, and occasionally pedaled on a course of up to a mile.  Pieces would stop and give little performances to the crowd.  Outlandish trophies were awarded.  Tongues may have been planted in cheeks.  Crowds were over 100 thousand strong.

The Asylum has been asked to build and race an entry in the re-inaugural event on June 6th. Here is a chance for the Asylum community to build a large and somewhat silly piece of art, and show their work (and the Asylum’s name) off to many thousands of people.  An object almost as big as Stompy, but providing near instant gratification,  as it will be weeks rather than years in the making.

Starting on April 12th with an “organizational” meeting, and continuing Sunday mornings  till mid to late May, will be an open building event.  This isn’t a class, its a project.  If you are a member, participation is free. (If you aren’t a member, you are still welcome to participate, and a 5 pack of day passes should cover things)  Festivities will be from 10 am till around 2 PM, in the Tardis (aka MPR2).  On April 26 instead of building, we will be part of an exhibition at the MIT museum, a “Signature” event of the Cambridge Science festival, showing drawings, some work in progress, etc.

To honor the tool using focus of Artisans, and in a nod to another racing event that used to take place in Somerville, the plan is to build a scaled (up) super-modified class racing belt sander.  The finished machine (and the first order of business is coming up with a name for it) will be 10-15 feet long, and 5′ wide.  We will be building it out of foam, with a metalized mylar (space blanket) skin, on a frame of steel and wood, with bicycle based running gear.

The prototype is an  early 60’s model known to collectors as a “locomotive” style. Its going to have a whole bunch of sponsor stickers, like any good dragster, wheelie bars (that double as the push point), flames on the nose, and the ugliest piece of shag carpet or critter fur I can find as the sanding belt.

Here is a chance to figure out how most theatrical props get made, but this is for more than the foam carving brigade.  Costumes would be a great thing, and an area which I am completely clueless.  The machine could use lighting and sound effects.  Skunk, could SCUL come up with a Disco ball to replace the knob on the front?

-dp-
Founder, The New England Rubbish Deconstruction Society; The NERDS
http://www.the-nerds.org/

This planet needs a lot more kids who think taking a lawnmower apart is more
fun than playing a videogame

Jurors for River Festival Race Announced!

People’s Sculpture Racing is proud to announce that your submission (deadline April 10) for joining our River Festival Race on June 6 will be reviewed by three visionaries with a particular appreciation for sculpture racing.
***
MAGS HARRIES. Mags’ work in galleries, museums and the public realm is recognized nationally and internationally. In collaboration with Lajos Heder she has worked on over 30 major public works and continues to be at the forefront of public art.
NICK CAPASSO. Nick is the Director of the Fitchburg Art Museum, and the former Deputy Director of Curatorial Affairs for the deCordova Sculpture Park + Museum.
LAURA KNOTT. Laura works on projects at the intersections of art, science and technology, including 5000 Moving Parts, an exhibition of contemporary kinetic art that she curated for the MIT Museum.PSR Call 3-26-15 (small jpg)

Gorgeous Flyer

This flyer, using Geoff Koetsch’s images, was designed by Caleb Martin, with minor tweaks by other team members.

PSR flyer 3-17-15 (for web)

Sculpture Credits
Top image: left John Weidman; middle unknown; right Kirby Scudder.
Middle left image: Bill Wainwright (this piece is now erected in Cambridge near the Galleria Mall)
Middle right image: Jo Kord
Bottom image: Pat Keck (with the artist behind)

Sponsor an Artist! Arts Council to Act as Umbrella

You can now donate via the Cambridge Arts Council.

Wonderful news! The Cambridge Arts Council will take us under their non-profit umbrella through June 30.

Sponsor artists by contributing to our artist support fund. We will distribute honoraria to emerging artists to help them realize their dreams and to professional artists to raise the aesthetic values of the project to a higher plane! You are welcome to offer a named grant in honor of someone or your project.

b2b21_Dali_Sewing_Machine_With_Umbrella

Thank you, Cambridge Arts Council and CAC Executive Director Jason Weeks!

 

This opportunity is as “beautiful as the chance meeting on a dissecting-table of a sewing-machine and an umbrella” – Lautréamont, inspiration for Dali’s “Sewing Machine With Umbrella” above.